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“Reminiscent of Thomas Pynchon’s The Crying of Lot 49, Hannah searches through a world that doesn’t make sense, on a journey to read the tarot of the world, creating some semblance of order out of all of this chaos. Then we meet Natasha. And Lilly. And Adonai. Erolin. Farida. Jessica. Ith Daktar San. Mavis. Each of these unique characters forms the center of their own universe, their own place in the universe where space-time shifts, each its own shining Luminaria.” — Leslie D. Soule, author of Fallenwood and My Mentor, Death

“These are touching pieces, full of pathos, and a great ending for this collection of strong narrative poems that tell stories of life as it is for a poet writing from out his experience, and not from theoretical understanding. A rich experience it is too, including mucus and other unpalatable effluvium, ugliness as well as beauty, laughter as well as tears: a sweet fragrance mixes with the stench here, on these pages, just as in life, in a dry inhospitable landscape like that of Schneider’s poetry, and everywhere else.” — Wayne F. Burke, author of Turmoil and Other Stories

“The first novel to consider the topic of dystopia from a post-COVID perspective, The Insurrectionist is at its most arresting when it reflects on the chicanery of the language with which our real-world overlords engender inaction, surrender, and despair.” — Matthew Pegas, author of Dragon Day